Published Book

1. Chukueggu C. C. (1998) Contemporary Nigerian Art and Its Classifications. Delta State University Publishing House: Abraka, pp.1-290.

2. Chukueggu C.C. (2011) UcheOkeke Father of Modernist Art in Nigeria. Lambert Academic Publishing, Germany. Pp 1- 284.

Chapters in Books

3. Chukueggu C. C. (2003) “Uche Okeke and The Uli Experiment” in Dike P.C and Oyelola P.(ed) Nku Di Na Mba, Uche Okeke and Modern Nigerian Arts. National Gallery of Arts. Abuja. pp 252 – 267

4. Chukueggu C. C. (2003) “The Asele Institute, Nimo” in Dike P. C and Oyelola P. (ed) Nku Di Na Mba: Uche Okeke and Modern Nigerian Art. Abuja: National Gallery of Arts, Abuja. pp. 331-343.

5. Chukueggu C.C (2008). Church Art and Its Influence on Cultural Heritage in Nigeria. Perspective on Globalization, Development and Public Policy. Afro-Euro Centre for Development Studies, Granada, Spain. Pp 1212-1219.

Journal Publications:

6. Andah B. W. Bodam R.N.S and Chukueggu C.C. (1991) “An Archeology of African Knowledge Systems: The Case of Writing an Introductory Essay” West African Journal of Archeology. University of Ibadan, Ibadan, Vol. 21 Pp. 104-124

7. Chukueggu C. C. (1998) “Transport Development in Historical Perspective. The Owerri Example” Ethnographer, University of Port Harcourt Vol 1 No. 1, Pp. 70.77.

8. Chukueggu C.C. (1998) “Culture and Its Development Through Time: The African Indigenous Experience.” Journal of Minority Studies, Uyo, Vol. 2 Pp. 92-97.

9. Chukueggu C.C. (1999) “Mbari Mud Sculptures: Continuity and Change” AFE, Journal of Minority Studies, Uyo, Vol. 3. Pp. 112-120

10. Chukueggu C.C. (2000) “Traditional Weaving Technology in Nigeria: The Case of Akwete.” J ournal of Creative Art. University of Port – Harcourt. Vol 1 No. 1pp. 3240.

11. Agberia J.T and Chukueggu C.C. (2001) “Museum Services in Nigeria: Issues And problems.” Journal of Creative Arts, University of Port Harcourt Vol, 2. Nos. 1 and 2, June, Dec. pp 69 -78.

12. Chukueggu C.C. (2001) “Traditional Belief Systems and Settlement Patterns in Old Owerri: A Socio-Historical Revalidation.” Journal of Humanities, Imo State University, Owerri Vol. 1. No. 4 pp 98-07.

13. Chukueggu C.C. (2001) “The Origin and Development of Church Architecture In Owerri. 1990-1990”. Journal of Religion and Culture, University of Port Harcourt Vol. 2. No 1. Pp. 116-130

14. Chukueggu C.C. and Chukueggu C. O. (2001) “The Extinction of African Indigenous Writing Systems and Its Attendant Problems of Underdevelopment”. University of Port Harcourt NJESPE, Vol 1 No 5 pp. 111-117

15. Chukueggu C.C. and Chukueggu C.O. (2001) “The Role of Socio-Cultural Competence in Meaningful Education.” University of Port Harcourt. NJPSE, Vol. 8 No. 4 May 2001. pp. 50 -55

16. Obilor J.I and Chukueggu C.C. (2001) “The Practice of Enculturation as the Matrix of Fath Culture Conflict Resolution of Igboland” Journal of Religion and Culture, University of Port Harcourt. Vol. 3.No. 2. Pp 35-46.

17. Nguma H. C. and Chukueggu C.C. (2002) “The Education Impactions of Tailboard Painting in Nigeria.” Journal of the Humanities, Imo State University, Owerri, Vol. 1 No. 5, pp 161-171.

18. Chukueggu C.C. (2002) “Traditional Historical Documentation and Culture Preservation Among the Igbo Ethnic Group.” Theatre Experience. Journal of Contemporary.Theatre Practice, NnamdiAzikiwe University, Awka Vol. 1 No. 1 pp. 2-11

19. Chukueggu C.C and Obilor J.I (2003) “African Traditional Performance as the People’s Heritage: IriJi Festival in Ngurunweke” Abalabala, Journal of the Bayelsa State Council For Arts and Culture.Yenagoa Vol. 1. No. 1. Pp 48-53.

20. Chukueggu C. C. (2005). Zaria Art Society: Impact on Cultural Development in Nigeria. K iabara, Journal of Humanities, University of Port Harcourt: Vol. 11, No.2 pp 239-247 K2

21. Chukueggu C. C. and Cyril-Egware P. (2008). The Blangidi Fashion of the Niger Delta: Its Origin and Decline. SNA Journal of Visual Arts, Society of Nigerian Artists Port Harcourt. No1, Volume 1, Sept. pp 65-70.

22. Chukueggu C.C (2009). Uli Art Idiom and the Nsukka Art School. African Journal of Contemporary Issues, Yaounde, Cameroun, Vol. 9, No.2, June, pp 135-141.

23. Chukueggu C.C (2009). The Development of Modern Art in Nigeria: The Contributions of Sylvester Chukueggu (The Father of Mbaise Art School). Tropical Focus: The International Journal of Series on Tropical Issues, Douala, Cameroun, Vol.10, No3, Sept. pp 155-163.

24. Chukueggu C. C. (2009). Stylistic Trends and Symbolism in Sylvester Chukueggu’s Sculptures. Kiabara, Journal of Humanities, University of Port Harcourt: Vol. 12, No.1 pp1-9

25. Chukueggu C. C. (2009). “Biafran Dispensation and the Civil War Propaganda 1967 – 1970: the UcheOkeke Approach”. The NASARA Journal of Humanities: Nasarawa State University Keffi, Vol. 3, No. 2, pp 97 – 110.

26. Chukueggu C. C. (2009). “Art Workshop Centres in Nigeria: Issues and Problems”. Arts and Social Sciences International Research Journal: University of Nigeria Nsukka, Vol. 1, No. 1. Pp 441 – 453.

27. Chukueggu C.C (2010). The Origin and Development of Formal Art Schools in Nigeria. A frican Research Review, Ethiopia, Vol. 4, No.2, April, pp 502-513

28. Chukueggu C. C. (2010). Modern Artistic Tendency in Nigeria. Its Influence on the Creative Development. The Anthropologist, Delhi,India, Vol. 12, No.3, July, pp 167 – 173.

29. Chukueggu C. C. (2010). The Asele Period in UcheOkeke’s Creativity 1958 –1966. A frican Research Review. Ethiopia Vol. 4, No.3a, July pp 261-275.

30. Chukueggu C. C. and Cyril – Egware (2012) Textiles and among the Nembe Se People. SNA Journal of Visual Arts. Volume 5, No. 1, June pp 1-9.

31. Chukueggu Chinedu.C and Onwuakpa Samuel.I. 2016. “Natural Synthesis and Contemporary Nigerian Visial Arts: An Exposition of Uche Okeke’s Work.” African Research Review: An International Multi-disciplinary Journal, Ethiopia (International Association of African Researchers) 10 (4): 257-269.

32. Chukueggu C.C. and Vivian Timothy (2016) The Great Iroko Has Fallen: UcheOkeke Father of Modernist Art in Nigeria

33. Okeke Ngozi K. and Chukueggu C.C. (2020) Plantain Fibres and Its Application for Interior Decoration in Nigeria. International Journal of Research in Art and Social Sciences. Vol 13, Pp 67-81

34. Okeke Ngozi K. and Chukueggu C.C. (2021) Fashion Design in Nigeria and Possibilities with Plantain Fibre. Journal of Faculty of Humanities. Vol 19, Pp 317-328

35. Anyanwu C. and Chukueggu C.C. (2021) Exploration of Traditional Igbo Symbols and Motifs in Fabric Design for Cultural Popularization. Niger Delta Research Journal of Humanities, Management and Social Sciences. Vol 13, No 3, August Pp 1-12

36. Chima Nwamaka F. and Chukueggu C.C. (2021) Harnessing the Aesthetic Potentials of Textile Wastes for Interior Decoration. Awka, Journal of Fine and Applied Arts. Vol 7, No 1

37. Onuchuku O., Chukueggu C.C, Nenbee S.G,and Wosu C. (2018) Monetary Policy and Nigeria’s Balance of Payments. Proceedings of ISER 128th International Conference, New York, USA,16th-17th May Pp 72-79

38. Chukueggu C.C and Onekpe O. (2018) Material Culture in Historical Documentation: A Treatise of the Igbo Traditional Society in Nigeria. A Paper Presented at The 20th Africa Conference in University of Texas at Austin. Vol 20

39. Anyanwu C., Chukueggu C.C, and Orubu S.A (2022) “Tie – Dye Technique of Fabric Decoration and Innovative Beads in Textile Design “. Innovative Research in Agriculture, Technology & Education, Ignatius Ajuru University of Education. Vol. 1 No. 1 pp 167 – 179.

40. Anyanwu C., Chukueggu C.C, and Orubu S.A (2022) “Factoring UNESCO Declarations on Cultural Preservations Through Motifs and Symbols in Textile Design in South Eastern Nigeria”. International Journal of Vocational Technology and Applied Research, Ignatius Ajuru University of Education. Vol. 1 No. 1 pp 159 – 180.

41 Addey D.G, and Chukueggu C.C (2021) “Exploration of the Aesthetic Value of Ekpeye Chieftaincy Coronation on Fabric: A Mixed Media Experimentation with Batik and Applique”. Port Harcourt Journal of History & Diplomatic Studies, Ignatius Ajuru University of Education. Vol. 8 No. 4 pp 233 – 244.

42) Woko, O.V, Chukueggu, C.C & Cyril-Egware P.I. (2023). “Exploring the Suitability of Blangidi Fabrics for Making Dresses for Children”. International Journal of Strategic Research in Education, Technology and Humanities. Vol. 11 No. 1 pp 187-199.

43) Woko, O.V, Chukueggu, C.C & Cyril-Egware P.I. (2023). “Beyond Aesthetics: The Cultural Implications of Incorporating Blangidi Fabrics in Baby Girl Dressmaking”. International Journal of Strategic Research in Public Administration and Organizational Process. Vol. 3 No. 1 pp 242-251